MSc in Mass Communication , Advertising & Journalism + PGD in Post Production
A screen presentation is constituted by continuously changing series of images supported by sound for narrating a story or conveying a message, in a coherent manner. The prime purpose of a screen presentation is to capture and hold audience attention. The foundation of the art of screen presentation is editing. Editing is much more than joining together of images and piecing together the recorded sound recorded. It is the job of the editor to weave the recorded material which is jumble of odd shots, bits of sound and computer generated graphics into a meaningful and interesting screen presentation. An editor has to strive to impart a visual variety to the screen presentation by skilful shot selection, arrangement and timing supported by appropriate sound. He has to recreate rather than reproduce the recorded event to achieve a cumulative effect often greater than all action in the individual scenes put together. Only a good editing can bring life to a screen presentation. Spoken words, music and effects sound support the visuals – both recorded and computer generated – in a screen presentation. Motion picture graphics may include anything from captions over pictures to the most elaborate art work. The graphics are in the form of graphs, charts, diagrams, maps and a variety of shapes and forms. This course of study has been designed to help the beginning directors learn the techniques and conventions of motion picture post production work.
PTU
Semester 1
MSCMCAJ-101 : Introduction to Communication
MSCMCAJ-102 : Introduction to Mass Communication
MSCMCAJ-103 : Introduction to Journalism
MSCMCAJ-104 : Introduction to Advertising
MSCMCAJ-105 : Introduction to Computers
MSCMCAJ-106 : Communication and Soft Skills
MSCMCAJ-107: Practical
Semester 2
MSCMCAJ-201 : Introduction to Media Technologies
MSCMCAJ-202 : Introduction to Public Relations
MSCMCAJ-203 : Journalistic Reporting & Editing
MSCMCAJ-204 : Advertising Design & Principles
MSCMCAJ-205 : Project Report
Semester 3
MSCMCAJ-301 : Introduction to Printing Technologies
MSCMCAJ-302 : Introduction to Production Technologies
MSCMCAJ-303 : Introduction to Newspaper Management
MSCMCAJ-304 : Introduction to Copywriting, Visualization & Campaign Effectiveness
MSCMCAJ-305 : Introduction to Mass Communication & Society
Semester 4
MSCMCAJ-401: Introduction to Communication Research
MSCMCAJ-402: Introduction to Photography
MSCMCAJ-403: Mass Communication Ethics & Laws
MSCMCAJ-404: New Media Technologies
MSCMCAJ-405: Project Report
ASMS 1st Semester:
- Introduction to Indian Motion Picture Industry - Motion Picture Production Process - Research in Motion Picture Production - Studies in Art Forms and Humanities - History of Cinema - Screen Grammar - Introduction to World and Indian Cinemas - Screen Acting : Theory & Practice - Camera & Lighting Techniques: Theory & Practice - Screenplay Writing
2nd Semester:
- Motion Picture Sound Recording : Theory & Practice - Motion Picture Editing: Theory & Practice - Graphics & Animation for Motion Pictures - The Art of Story Telling - Screenplay Writing - Motion Picture Production and Management - Motion Picture Directing: Theory & Practice - Motion Picture Censor Certification, Distribution & Exhibition - Production of Short Film : Writing, Shooting, Editing and Directing narrative motion picture in partial fulfillment o the requirement of the award of the Diploma.
3rd Semester:
- Dynamics of Picture and Sound: Theory & Practice - Creative Treatment of Sound In Editorial Construction: Theory and Practice - Laying Tracks of Dialogues, Background Music and Effects Sound in Editing: Theory & Practice - Application of Popular Editing Softwares such as Avid, Final Cut Pro Etc. - Preparing Titles and Visual Effects
4th semester:
- Exercises in o Dialogue Sequences Observing Proper Timings and Maintaining Required Pace o Played Back Musical Sequences o Simple and Complex Action Sequences o News Coverage - Workshop On o Current Post Production Practices o Future Trends in Motion Picture Production |
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